Philip J. Shea
The variety of Nigerian textiles is rivaled only by the
variety of technologies which have been developed to produce these impressive
artifacts. These technologies have been developed over many centuries, and they
have varied from area to area within the country as well as over time. The
development of new technologies has largely been accretional - that is a new
technology is often welcomed and employed alongside older technologies.Very
seldom have older technologies been discarded altogether and this is of
considerable assistance to the historian of textile technology.Most studies done
on Nigerian textiles have been concerned with the artistic qualities but more
attention has to be paid to the technological and economic
aspects behind the production of these materials.
Over the centuries there have been a number of different
fibers used by Nigerian producers of textiles. In the Jos Museum, Plateau State,
Nigeria, there is an example of an Angas bag with designs in beige and black
using tree bark fibers- essential parts of the dress of every adult male Angas
historically. Other tree fibers, such as those from the raffia palm tree in
southeastern Nigeria, also produce fabrics with beautiful designs. In the
northernpart of the country the fibers from the fronds of the dum palm are also
woven into mats as well as the ingenious foldable raincoats used by the nomadic
Fulbe.
Far and away the most important fibre used in Nigerian
textile production has been cotton - and it has been used for well over five
hundred years . There have been a large number of different kinds of cotton
plants in Nigeria which have been used for textile production. Some of the
earliest cotton plants used in Nigeria were perennial bushy plants that last for
a number of years and produce cotton each year.The low growing annual cotton
plant is almost universally used today. After the conquest of Nigeria the
British enforced the cultivation of a particular kind of annual cotton plant
which suited the purposes of their own machinery best. The British
prohibited the sale of the traditional kinds of cotton, and today
virtually all the cotton grown in Nigeria is the kind enforced by the colonial
power.
Silk is produced by various kinds of Anaphe moths, and is known in Hausa as
tsamiya, in Yoruba as sanyan,in Igbo as akpa-obubu,
and in Edo as sapar ubele. Because it is more difficult to use and
because its preparation is generally more sophisticated than that of other
fibers, its use is presumably more recent than some other fibers. Nonetheless,
there is every indication that it has also been used for hundreds of years. As
with tree and cotton fibers, there were traditionally a large number of
different kinds of silk produced by different kinds of silk worms in Nigeria -
and these vary somewhat from area to area. Nonetheless, silk was produced in
almost all parts of Nigeria. The different kinds of insects feed on different
host trees and plants, and the resulting silk also differs somewhat in color,
texture, and quality.
A large number of different kinds of cloth and finished
clothing materials were also imported Sometimes the imported cloth would be
unravelled so that the fibres could be used in locally produced textiles. With
the development of intercontinental trade on the Atlantic coast other fibers
seem to have been imported from Asia, Europe andNorth Africa. Wool was imported
in this way - although it never became very important in Nigerian textile
production. During the colonial period, the kinds of fibers imported increased
considerably although the colonial power was not interested in importing raw
materials for an industry which competed with their own textile industry.
Nevertheless, a large number of different kinds of fibers were imported as yarn
or thread.This imported thread was sometimes incorporated into the traditional
cloth production techniques. Thus, often a piece of traditional cloth would have
a warp of factory produced cotton thread. Also, over the years Nigerian textile
producers imported different kinds of silk and silky threads, many of which were
increasingly man-made. In recent years, Nigerian weavers have made a great deal
of use of artificial fibers such as lurex and other bright fibers.Today many
hand-procluced Nigerian fibers are made entirely of artificial fibers.
The introduction of new fibers almost never seems to have
replaced previous fibers. Different kinds of products are, of course, produced
using different fibers, but commonly incorporated into the production of a
single cloth or gannent. Thus, it is common to see a finished piece of clothing
which uses as many as three or our different kinds of fibers - and these
different fibers add strength,color, texture, sheen, design, and variety to the
finished products.Often fibers would be taken long distances from where they
were collected or cultivated. In the 19th century they were transported a
hundred kilometers or more, from Zaria to Kano. Silk was more valuable and so
was frequently transported much longer distances. Raw silk from Bauchi State has
been known as far as Senegal.
Preparing cotton thread is difficult. The first stage is from
thc cotton bolls, and in Nigeria, this has traditionally been done by rolling an
iron rod over the cotton bolls. The seeds are thus squeezed out.This process is
ginning, but since the earliest years of colonial rule there have been
mechanical cotton gins for the ginning of cotton. This was designed to prepare
the cotton for export.Some cotton has always been retained for local
processing.The fibers must be carded. This involves combing the cotton fibers
between two brushes which cleans the fibers and aligns them in the same
direction. After carding the cotton, it is spun into thread. 'These processes
have generally been done by women, and, in the Muslim parts of the country, it
has often been done by housewives in seclusion.
Bibliography of Kuba Textile - Congo Region (Caruso)
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